Tag Archive: Mouse On Mars


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It has been four years since Fuck Buttons up their game on their second album “Tarot Sport” which made Sonic Fiction’s Top Ten Albums of the Year 2009. Both members have worked on other projects the most high profile of which was Benjamin John Power’s dark ambient side project Blanck Mass. Now they return with new album “Slow Focus” and the promise of a sound underpinned by hip-hop beats.

The album opens with ‘Brainfreeze’, which opens with the duo’s previous trademark tribal drums and thick snaking synth covered in grimy distortion that slink all over the drums. As the track progress more and more layers of synth are add until a new pad sound changes the song’s feel from claustrophobic to triumphant. Next up is ‘Year of the Dog’ and begins with synths bubbling up through a soup of reverb/delay before an aggressive arpeggio fly into view. Later in the track a disturbing cacophony of violins enters before the arpeggio reasserts itself and angelic sounding pad joins the melee.

Album centrepiece ‘The Red Wing’ kicks off with a hip-hop beat and chirping synth start this track before a corroding synth bass line enters. A synth riff enters and echoes out in the distance, the riff comes front and centre as the track evolves and the synth bass and synth drones gets stronger. ‘The Red Wing’ could easily be an epic track by either Boards Of Canada or El-P and that is no bad thing! ‘Sentients’ starts with resonate electronic percussion which suggests a Congotronics influence and spluttering synth blasts before a central hip-hop influenced beat kicks in. Another synth enters whistling like R2D2. A new counter point melody enters played by a resonate 8-bit vocal synth melody and is quickly following by a wave of corroded synth. Finally another pad enters giving the track a horror film/John Carpenter vibe.

‘Prince’s Prize’ and ‘Stalker’ both feature glassy FM synth melodies with the former utilising a double time hip-hop beat and reminding me of Gang Gang Dance and Mouse on Mars. While the latter adds glistening synth later after glistening synth layer until its epic climax.

The album ends with the tumbling brittle synth melody, thumping bass drum and huge ascending synth chord progression of ‘Hidden XS’ a transcendent finale to breathtaking album.

I was excited about ‘Slow Focus’ before hearing it but never thought that Fuck Buttons would find another level to take their synth noise sound to, however they have set the bar extra high with this brilliant album.

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This mix was inspired by the random/shuffle function on my MP3 player. Every so often to plays back two or three tracks in a row that suggest they might work well mixed together/played back to back. Some of these are obvious combination for instance the final three tracks LCD Soundsytem into Justice vs Simian into DJ Touche and some less so e.g. ‘Yippie’ by Mouse on Mars into “I Would Die 4 U” by Prince. So after writing a lot of these combinations into my mobile and saving them for later I decided to attempt to put some of them into a mix in Cubase and this mix is the result. I’m a DJ just a music producer and music fan putting some disparate tracks together and seeing if it gels together. Would great to hear what people think of the mix.

Vodpod videos no longer available.

June was a relatively quiet month (as July will be) but there’s still four albums to report on, starting with….

This month’s biggest disappointment is the self titled début album by Blanck Mass aka Benjamin John Power of Fuck Buttons. This ambient album’s main problem is that apart from the devastating ‘Land Disasters’ and ‘Sundowner’ the rest of the album all sounds very similar and a lot of it recalls Oneohtrix Point Never, whom it has to be said has pretty much perfected this corner of ambient music. The tracks are overly repetitive and where other artists use this aspect to create hypnotic music this release feels boring and staid. The reoccurring use of field recordings of water and the wave-like synth sounds are a cliché within the genre and they aren’t deployed in any new or interesting way on this album. The digital feel of the album and the fact it was made 100% on a laptop makes it a polar opposite of Fuck Buttons’ hands on analogue approach, this might explain why I came away feeling the album lacks impact and anything truly engaging.

Next  “Perfect Darkness”, the new album from Ninja Tune’s troubled folk troubadour Fink. Though not an album that will grab most people on its first play there’s plenty of positives in favour of this release. First of all Fink proves he’s no one trick pony showing that he can enhance his trademark sound with strings (‘Perfect Darkness’) and electric guitar (‘Honesty’, ‘Warm Shadow’ and ‘Berlin Sunrise’), he also manages to show a new lighter side on ‘Warm Shadow’, ‘Save it For Somebody Else’ and ‘Berlin Sunrise’. In addition to this there is extensive use of extra effects and textures all of which means this is Fink’s most varied album yet. Not an instant hit but definitely a grower that could reveal much on repeat visits.

To mark the tenth anniversary of founder Florian Fricke’s death German label SPV have put together a two disc package. The first disc collects classic Popol Vuh tracks across the band’s 30 year career and the second disc is comprised of remixes. The first disc features tracks from the albums that were used as soundtracks to classic Werner Herzog films of the 1970s and early ’80s. This disc definitely does what it set outs to; to group the best moments but also be varied in the style, mood and textures. Included are the haunting opener ‘Aguirre I Lacrima di Rei’, the peaceful closer ‘Kailash: Last Village’ via the medieval ‘Bruder Des Schattens’, the shiny ‘In Your Eyes’ and everything in between. A great introduction to this underrated band and one that could entice some buyers to explore further.

The first half of the second disc is a disappointing selection with the exception of the Thomas Fehlmann mix, though that does sound like a Thomas Fehlmann track. These remixes adhere to a formula of focusing on particular elements of the songs and then writing a four to the floor track around them, some tracks acknowledge the mood or atmosphere of the original but a lot don’t and these come across as very lazy. Only a few remixers such as Mouse on Mars, Stereolab and A Critical Mass do anything interesting rhythmically with the mostly beat-less originals. The second half is an improvement with Mika Vaino’s ambient mix, Mouse on Mars glitch hop mix and Stereolab’s subtle interweaving of their own brand of analogue weirdness being particular highlights. The final track is an extended version of ‘Train through Time’, a track the most directly links Popol Vuh with dance music and this version gets to the dancefloor destination that the original only hints at.

The remix disc makes sense in a lot of ways with many of the contributors being signed to progressive German labels such as Kompakt who can be linked back to the philosophy of Popol Vuh and their fellow Krautrockers. Despite the second disc being a bit of a disappointment the first disc and the few good remixes make this a package worth exploring.

In addition to my initial thoughts which you can read in last month’s 2011: through my (biased) eyes Battle’s “Gloss Drop” has continued to grow on me and inspire new thoughts. The main one being that some tracks feature a concrete sounding backdrop that is juxtaposed with  Caribbean/Calypso rhythms and melodies playing over the top. This shouldn’t work but the band have bent these opposing sound to their will. The more I play the album the more enjoyable it is and the more Battles sound at ease with their experimental new sound. Like Gang Gang Dance’s “Eye Contact” this has barely been off the stereo and could be serious competition for the number one spot in the end of the year review!

Spotify playlist:

June playlist

Coming up this month on Sonic Fiction:

Classics Critiqued – “Low” by David Bowie

Recommendations – July

A very quiet month in terms of new releases of note but here’s a couple that are worth checking out:

David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin – ‘FRKWYS Vol.7′ 18th July (digital 30th July) (RVNG Intl.)

The latest edition of the brilliant FRKWYS (Freakways) series on RVNG Intl. is a collaboration between electronic music pioneer and composer David Borden and four stars of the current boom in solo synthesiser music. The track ‘People of the Wind Pt. 2′ is streaming at RVNG Intl. website and offers a preview of what is to come.

Steve Mason and Dennis Bovell – “Ghosts Outside” 18th July/25th July (Double Six)

Steve Mason (ex Beta Band) released joined forces with the much respected reggae artist / producer Dennis Bovell (producer of Linton Kwesi Johnson and U.K. Dub legend) to create the album “Ghosts Outside” which is released July 2011 through Double Six. The album is a radical ‘dub’ reinterpretation of Steve Mason’s “Boys Outside” long-player which was released to widespread critical acclaim in 2010. Download a free track ‘Yesterday’s Dub’ here.

Wow, 2010 was quite a year for music and Sonic Fiction, personally I think it was a really great year for music of all types and blog managed to grow massively in the second half the year when we doubled our views from the first half of the year. Thanks to anyone who has taken a look, enjoyed and commented on our pieces. I have to say though that in some ways the end of the year was frustrating reading end of year polls and finding tons of reviews of albums I hadn’t listened to in my bookmarks. Still I’ve decided not to stress about as even some of my favourite journalists haven’t found the time to listen to everything.

In 2011 we hope that Sonic Fiction can continue to grow both in terms of quality of writing and views. We aim to continually improve but want to make this a more conscious effort from now on. We’ve launched a Twitter account which will enable us to link readers to articles, albums, playlists etc and provide the real interactivity that we want with Sonic Fiction. I think that when we started the blog, we were just relived that it was (finally) up and running but as time has gone on a set of aims has emerged. We really want to start debates about the points that we are making and we hope that with the help of Twitter and even better writing we can do so. If anyone has any suggestions of further ways we can encourage this please let us know. We also have a new bi-monthly column launching in February (when we’ll be one year old) that will reassess the perceived reputation of artist(s), a period of their career or a genre, we don’t have a title but if anyone has a suggestion just Twitter it or put it in the comments section.

Ok, so looking forward into the New Year here’s list of the various cultural happenings we are looking forward to this year:

Bands/Artists/Releases

There’s a trio of returning post-punk legends (two of them this month) in the shape of Gang of Four’s (first album in almost 16 years) ‘Content’, Wire release new album ‘Red Barked Tree’ and The Pop Group return with a new album later in the year, which will possibly feature The Bug, Keith Levene (ex Clash and Public Ltd guitarist), Micheal Rother (Neu!), Richard H. Kirk (Cabaret Voltaire) and DJ Assault or not.

There’s ‘Violet Cries’ the debut album by spooky, folky goth types Esben and The Witch, a band I saw a lot of potential in last year but failed to mention.

The explosive agit-prop of Asian Dub Foundation is always welcome in my flat and on the evidence of the title track so will new album ‘A History of Now’ out 7th February.

A week later Mogwai’s fearsome noise will pollute speakers the world over with new album ‘Hardcore Will Never Die, But You Will’.

I always get excited about new PJ Harvey album but haven’t even listened to one since ‘Tales from the City, Tales from the Sea’, so we’ll have to see if ‘Let England Shake’ changes that.

There’s also the much anticipated collaboration/remix album by Gil-Scott Heron ‘We’re New Here’, though the description I read on FACT doesn’t fill me with confidence.

The Knife have hinted via their newsletter of new material emerging sometime in 2011 and in other Scandinavian news, Bjork has said that new music will be “ready in a few months”.

Finally Primal Scream celebrate the 20th anniversary of ‘Screamdelica’ with a tour and impressive looking 6 disc box set on March 7th. There will also be smaller edition more info as I get it.

New band tips

  • OoOOo – self titled debut E.P. was one of the top releases of 2010, next release much anticipated.

  • Balam Acab – debut E.P. ‘See Birds’ was one of the top releases of 2010, to be issued on CD in February.

  • Factory Floor – this industrial dance outfit’s early singles impressed, an album is being recorded.

  • Dels – Big Dada’s new hip-hop hope delivers debut album produced by Joe Goddard (Hot Chip) early in 2011.

  • Laurel Halo – made waves all over the internet last year and seems to have the talent to back up the hype!!

  • Yanqui – I was very impressed by this post-rock bands self titled debut E.P. and think there’s real potential for development into something bigger and better.

  • The Samps – another impressive self titled debut E.P. from these sample lovin’ duo, kind of like a sampled based Chin Chin cheesy yet irresistible.

  • Games – this Oneohtrix Point Never side project launched with their debut release ‘We Can Play’ on the super hip Hippos In Tanks late last year and it was packed with great tunes that promises their debut album might just be as good as Oneohtrix’s own material.

  • Blondes – synth based Brooklyn duo who after the success of their ‘Touched’ E.P. should release a debut full length that takes their ‘bedroom space disco’ sound even further out.

  • Win Win – a three way collaborative project comprising XXXchange (Spank Rock), Chris Delvin (of Baltimore DJ duo Delvin and Darko) and visual artist Ghostdad. Their self titled album is out on Vice on 15th February and features Alexis Taylor (Hot Chip), Naeem (Spank Rock) and Lizzie Bougatsos (Gang Gang Dance).

  • Floating Points Ensemble – the side project of producer Floating Points have already received critical acclaim for their spat of electronic jazz infected 2010 releases, a debut album on Ninja Tune awaits in 2011.

  • Holy Other – The haunting track ‘Yr Love’ leads to a potential album this year. The electronic music producer’s blend of gauzy vocals, 808 claps and swampy delays creates a highly emotional feel, which hopefully will materialise as a complete release.

  • White Car – Having released two EP’s last year this exciting industrial dance duo are currently putting the finishing touches to a début album to be released later this year.

  • Suuns (pronounced ‘Soons’) – This band’s début album ‘Zeroes QC’ manages the ineviable task of  combining post-punk and post-rock influences into a cohesive, tuneful and confident and all without sounding like overblown and bloated rock.

  • Breton – This South London have been saddled with the unfortunate description of ‘post-punk dubstep’ but don’t let that put you off. It’s true that they combine influences from those genres but a quick visit to their MySpace will show that they transcend these distinct sounds to make their unique style. With only one 12″ the potential is definitely there and only time will tell if it can blossom further.

Albums we hope finally see the light of day in 2011

Missy Elliott’s long anticipated ‘The Block Party’, the second Madvillain album, the new Mouse on Mars album; a new album by audio-visual dons Coldcut is due and The Avalanches much, much, much anticipated follow to ‘Since I Left You’, yes I believe this is coming soon.

Spotify playlist:

Preview of 2011

Recommendations

Wire – ‘Red Barked Tree’ (Pink Flag) 10th January

Wire return with their 12th album (and first without guitarist Bruce Gilbert), the bands own description makes it sound like business as usual but this no bad thing!!

Deerhoof – ‘Deerhoof vs Evil’ (Polyvinyl) 25th January

American indie-rockers return with their 11th album, following on from their great contribution to Tradi-Mods vs. Rockers: Alternative Takes on Congotronics’ late last year. You can hear tracks from the album via Soundcloud now and in each week leading up to release.

Gang of Four – ‘Content’ (Groneland) 25th January

Post-punk legends return with their first new album since reforming in 2004. Heavily published by the bands fund raising efforts which included giving away vials of blood to fans with the album. Should be interesting as the two tracks I’ve heard so far have gone from great to so-so.

Talib Kweli – ‘Gutter Rainbows’ (Talibra) 25th January

Talib’s first independent release after the fall out from ‘Eardrum’ lead to leaving Warner Bros. early signs are good and come in the form of the Ski Beatz produced ‘Cold Rain’. You can hear the track and read more details here.

Esben and the Witch – ‘Violet Cries’ (Beggars Banquet) 31st January

Quietly gathering support from The Quietus to the Guardian through last year and expected to produce one of the debuts of the year. Will their folky gothic pop live up to the hype?

I hope to have some more music, plus television and film recommendations next month.

Coming up in January we have a piece on slow music (more interesting than that sounds), the return of Music Is Improper with the second part of its history of techno and ‘Doolittle’ by the Pixies is this month Classic’s Critiqued.

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