Tag Archive: M.I.A.


Welcome to the first proper post of 2017. Some people reading the blog last year may have noticed that I tried to review more music by women, in fact I was trying to strike a 50-50 balance between the music I reviewed that was by men and music that I reviewed that was by women. I managed to get that balance. This year and beyond I want to try and achieve that balance in my own music collection. I know that I may never reach a 50-50 split as there are just less women making music but I feel like I manage to balance these things in the rest of my life (films, T.V. podcasts etc.) While the music industry seems uninterested in pushing women to the forefront of music (other than pop music). I personally love and respect women both in general and in terms of artistic expression especially in music but feel that my music collection doesn’t necessarily reflect it enough. So I want to tackle this lack of balance in my own collection and hope we can all spread this positive message far and wide.

I’ve come across lots of talented artists/bands/producers but I’ve decided to ask for some recommendations as female bands/artists/producers struggle to gain the same amount of attention as their male peers. To help with the recommendations process I have created a list of music that I own by/or featuring women. I hope that this list gives you an idea of my taste and avoids people recommending artists or releases that I already own. I’ve also included a list of priority purchases so you know what I’ve got in mind to buy in the future. I’d buy them all but my benefit won’t allow for that and I will still buy some music by men as this is about striking a balance rather than cutting something out completely. .

I’ve set up a new Twitter account, @HerSonicFiction, where I’ll share what female artists I’m listening to now. Feel free to Tweet your recommendations at me or put them in the comments below. If we can all use #HerSonicFiction then we can introduce each other to some great female artists and encourage even more people to listen to and buy music by women.

Albums I already own

Kate Bush – “Hounds of Love”

Elza Soares – “Woman at the End of the World”

Thao & the Get Down Stay Down – “Man Alive”

Lindstrom & Christabelle – “Real Life is no Cool”

Solange – “A Seat at the Table” & “True”

Aretha Franklin – “The Very Best Of”, “Amazing Grace” & “Lady Soul”

The Staple Singers – “Be Altitude: Respect Yourself”

The Slits – “Cut”

Erase Errata – “At Crystal Palace”

M.I.A – “Arular” & “Kala”

Julia Holter – “Ekstasis”, “Tragedy” & “Loud City Song”

Deerhoof – “Offend Maggie” & “Breakup Song”

Stereolab – “Emperor Tomato Ketchup” & “Mars Audiac Quartet”

Colleen – “Captain of None”

Bjork – “Post” & “Medulla”

Erykah Badu – “New Amerykah Part One: 4th World War”

Neneh Cherry & The Thing – “The Cherry Thing”

Junglepussy – “Pregnant with Succcess”

Suzanne Ciani – “Lixiviation 1969-1985”

Kelis – “Tasty” & “Kaleidoscope”

Ikara Colt – “Chat and Business”

Janelle Monae – “The Archandroid” & “The Electric Lady”

New Order – “Technique”

Pixies – “Come On Pilgrim”, “Surfer Rosa” & “Doolittle”

Thee Satisfaction – “Awe Naturale”, Transitions”, “THEESatisfaction Loves Erykah Badu”, “Snow Motion” & “EarthEE”

Sleigh Bells – “Treats”

Patti Smith – “Horses”

Solex “Solex vs Hitmeister”

The Raincoats – “The Raincoats”, “Odyshape” & “The Kitchen Tapes”

Talking Heads – “Talking Heads ’77”, “More Songs About Buildings & Food”, “Fear of Music” & “Remain in Light”

Tom Tom Club – “Tom Tom Club”

Tamikrest – “Chatma”

Tune-Yards – “Nikki Nack” & “Who Kill”

Yeah Yeah Yeah’s – “Fever to Tell”, “Show Your Bones”, “Its Blitz” & “Mosquito”

Jamila Woods – “Heavn”

NoName – “Telefone”

female-pressure – Various Artists – “Music- Awareness & Solidarity w- Rojava Revolution”

Priority purchases:

more Kate Bush – suggestions very welcome

Lauryn Hill – “The Miseducation of Lauryn Hill”

Missy Elliott – “Miss E…So Addictive” & “Under Construction”

FKA Twigs – “LP1”

Kaitlyn Aurelia Smith – “EARS”

Dawn Richard – “Redemption”

This month I’ll start with the disappointments, new albums from M.I.A. and School of Seven Bells both failed to deliver. Recent controversy aside M.I.A. gave us a lazy collection of half arsed songs and hide behind noise and dissidence or lightweight pop fluff. Lightweight was also a word that sprang to mind while listening to ‘Disconnect from Desire’ by School of Seven Bells, rather than experiencing a spiritual experience removed the daily wants or mores. Instead I found a cold, limp wash of sound that made little of the impact that the mainstream music media praised it for. In fact I’ve found that the critical acclaim afford to their début was also some what misplaced. I’d recommend checking out “We Fell to Earth” by We Fell to Earth a much deeper and darker proposition but one of that thrills and chills a lot more than School of Seven Bells. Better still Amazon.co.uk just dropped the price to £4.99!!

Following on from Big Boi’s brilliant new album comes his protegé Janelle Monae and her album “The Archandriod” a concept album set in the future in which she plays the character Cindi Mayweather and veers between rap, classical, folk, funk, rock and many other genres and hybrids across 18 tracks. Though definitely over the top, Monae skillfully handles these schizophrenic breast and her versatility is a trump card showcasing an amazing vocal and songwriting talent.

Tobacco added to last year’s excellent Black Moth Super Rainbow (BMSR) “Eating Us” with “Maniac Meat” a seat of the joyride filled with greasy, distorted beats and bass lines, Beck guest slots, sticky, sweet analogue synths and some great song titles. There are too many titles to list here but here’s some selected highlights ‘Constellation Dirtbike Head’, ‘Lick the Witch’, ‘Unholy Demon Rhythms’ and ‘Grape Aerosmith’. I’d have to agree with Pitchfork’s suggestion that its nessels somewhere between Boards of Canada’s “Geogaddi” (a reference that had stuck me listening to BMSR) and El-P’s “Fantastic Damage”, matching the psychedelic synth swirls of the former with the dirty hip-hop beats of the later.

Finally I rounded the month out with Oneohtrix Point Never’s “Returnal” a mesmerising piece of ambient music, filled with wave after wave of synthetic sound and evoking images of oceans and distant memories. “Returnal” is a contender for album of the year.

Spotify playlist (plus some August extras):

July 2010 playlist

Recommendations for August:

El-P – “Weareallgoingtohellmixx3” (Gold Dust) 2nd August

Lloyd Miller and The Heliocentrics – “Lloyd Miller and The Heliocentrics” (Strut) 2nd August

Various Artist – “Afro Beat Airways: West African Shock Waves Ghana & Togo 1972-1978” (Analog Africa) 9th August

Matthew Dear – “Black City” (Ghostly International) 16th August

!!! – “Strange Weather, Isn’t It” (Warp) 23rd August

Mogwai – “Special Moves” (Rock Action) 23rd August

Bruce Haack – “Farad: The Electric Voice” (Stones Throw) 30th August

Maximum Balloon “Maximum Balloon” (Polydor) 30th August

June was a month of extremes for my listening and buying habits.

It began with the purchase of two ambient music albums, the first was this year’s ‘Music for Real Airports’ by The Black Dog and the second was my favourite Brian Eno ambient record ‘Ambient 4: On Land’ from 1982. The connection between the two being that The Black Dog album is their own re-imagining of Eno’s critically acclaimed album ‘Ambient 1: Music for Airports’, which popularised the concept of ambient music. I won’t go into any more detail about the Eno and The Black Dog albums as I will explore ambient music more fully in August.

In the second half of June the swing-o-meter swerved into a noisier place. Again it was something old and something new that caught my attention. The former being Liars’ ‘Drum’s Not Dead’ from 2006, which the more I hear the more I understand why it gained such critical praise and is viewed as an important album for American alternative rock. Liars certainly know when to hit hard and when to allow the audience a breather, something I think I had always missed before. A tribal and troubling atmosphere informs the record and binds together an eclectic collection of songs. The latter was ‘Treats’, the debut album by Sleigh Bells that demands to be played loud. What surprised me most about ‘Treats’ was the variety of styles covered within what seems a limiting set-up and aesthetic the duo have chosen. Hats off to them for producing such an impressive work, and possibly the debut of the year, that lives up to the hype and is a breath of fresh air .

The final week brought another dramatic swing with the previewing of Big Boi’s (OutKast) new solo album, ‘Sir Lucious Left Foot: The Son of Chico Dusty’ which is out today. His buoyant sound makes what is arguably the best commercial hip-hop album that been released for a year or two and I believe that it should have followed ‘Speakerboxx/The Love Below’ or could even have been the ‘Speakerboxx’ disc. I had also felt that Big Boi was the less talented OutKast member but he’s proving to be Andre 3000’s equal. The spotlight is on Andre 3000 as we wait for his solo album and the next OutKast album and on this evidence I can’t wait!!

Spotify playlist:

June Playlist

June Playlist

Recommended Releases – July:

Big Boi – ‘Sir Lucious Left Foot: The Son of Chico Dusty’ (Mercury) 5th July

Health – ‘Disco 2’ (City Slang) 5th July

Autechre – ‘Move of Ten’ (Warp) 12th July

M.I.A. – ‘MAYA’ (XL) 12th July

Janelle Monáe – ‘The Archandroid’ (Baby Boy/Atlantic) 12th July

School of Seven Bells – ‘Disconnected from Desire’ (Full Time Hobby) 12th July

Tobacco – ‘Maniac Meat’ (Anti-) 12th July *

Walter Gibbons – ‘Jungle Music’ (Strut) 19th July

Propaganda – ‘A Secret Wish (25th Anniversary Deluxe Edition)’ (Salvo) 19th July

Charanjit Singh – ‘Synthesizing: Ten Ragas to a Disco Beat’ (Bombay Connection) 19th July

* Put back two weeks from 26th June

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