Tag Archive: Lindstrom and Christabelle


Welcome to the first proper post of 2017. Some people reading the blog last year may have noticed that I tried to review more music by women, in fact I was trying to strike a 50-50 balance between the music I reviewed that was by men and music that I reviewed that was by women. I managed to get that balance. This year and beyond I want to try and achieve that balance in my own music collection. I know that I may never reach a 50-50 split as there are just less women making music but I feel like I manage to balance these things in the rest of my life (films, T.V. podcasts etc.) While the music industry seems uninterested in pushing women to the forefront of music (other than pop music). I personally love and respect women both in general and in terms of artistic expression especially in music but feel that my music collection doesn’t necessarily reflect it enough. So I want to tackle this lack of balance in my own collection and hope we can all spread this positive message far and wide.

I’ve come across lots of talented artists/bands/producers but I’ve decided to ask for some recommendations as female bands/artists/producers struggle to gain the same amount of attention as their male peers. To help with the recommendations process I have created a list of music that I own by/or featuring women. I hope that this list gives you an idea of my taste and avoids people recommending artists or releases that I already own. I’ve also included a list of priority purchases so you know what I’ve got in mind to buy in the future. I’d buy them all but my benefit won’t allow for that and I will still buy some music by men as this is about striking a balance rather than cutting something out completely. .

I’ve set up a new Twitter account, @HerSonicFiction, where I’ll share what female artists I’m listening to now. Feel free to Tweet your recommendations at me or put them in the comments below. If we can all use #HerSonicFiction then we can introduce each other to some great female artists and encourage even more people to listen to and buy music by women.

Albums I already own

Kate Bush – “Hounds of Love”

Elza Soares – “Woman at the End of the World”

Thao & the Get Down Stay Down – “Man Alive”

Lindstrom & Christabelle – “Real Life is no Cool”

Solange – “A Seat at the Table” & “True”

Aretha Franklin – “The Very Best Of”, “Amazing Grace” & “Lady Soul”

The Staple Singers – “Be Altitude: Respect Yourself”

The Slits – “Cut”

Erase Errata – “At Crystal Palace”

M.I.A – “Arular” & “Kala”

Julia Holter – “Ekstasis”, “Tragedy” & “Loud City Song”

Deerhoof – “Offend Maggie” & “Breakup Song”

Stereolab – “Emperor Tomato Ketchup” & “Mars Audiac Quartet”

Colleen – “Captain of None”

Bjork – “Post” & “Medulla”

Erykah Badu – “New Amerykah Part One: 4th World War”

Neneh Cherry & The Thing – “The Cherry Thing”

Junglepussy – “Pregnant with Succcess”

Suzanne Ciani – “Lixiviation 1969-1985”

Kelis – “Tasty” & “Kaleidoscope”

Ikara Colt – “Chat and Business”

Janelle Monae – “The Archandroid” & “The Electric Lady”

New Order – “Technique”

Pixies – “Come On Pilgrim”, “Surfer Rosa” & “Doolittle”

Thee Satisfaction – “Awe Naturale”, Transitions”, “THEESatisfaction Loves Erykah Badu”, “Snow Motion” & “EarthEE”

Sleigh Bells – “Treats”

Patti Smith – “Horses”

Solex “Solex vs Hitmeister”

The Raincoats – “The Raincoats”, “Odyshape” & “The Kitchen Tapes”

Talking Heads – “Talking Heads ’77”, “More Songs About Buildings & Food”, “Fear of Music” & “Remain in Light”

Tom Tom Club – “Tom Tom Club”

Tamikrest – “Chatma”

Tune-Yards – “Nikki Nack” & “Who Kill”

Yeah Yeah Yeah’s – “Fever to Tell”, “Show Your Bones”, “Its Blitz” & “Mosquito”

Jamila Woods – “Heavn”

NoName – “Telefone”

female-pressure – Various Artists – “Music- Awareness & Solidarity w- Rojava Revolution”

Priority purchases:

more Kate Bush – suggestions very welcome

Lauryn Hill – “The Miseducation of Lauryn Hill”

Missy Elliott – “Miss E…So Addictive” & “Under Construction”

FKA Twigs – “LP1”

Kaitlyn Aurelia Smith – “EARS”

Dawn Richard – “Redemption”

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Liam’s Albums of the Year 2010

I think its been a very strong year for music overall and a step up from 2009, though there’s been some high-profile disappointments e.g. Four Tet, MIA, Maximum Balloon etc the real musical landscape seems in a very health state and I think our review of the year bears this out. We’ve both tried to consider what and who has defined the year as well as our own tastes.

1. Oneohtrix Point Never – ‘Returnal’ (Editions Mego)

In any other year this wouldn’t have been anywhere near my Albums of the Year list but discovering Ambient music and  ‘Returnal’ itselfs excellence plus Oneohtrix’s dominance of year make this one un missable album.

2. Gorillaz – ‘Plastic Beach’ (EMI)

In terms of song based albums this was incredibly strong from the word go. Add to this the concept behind the album, its environmental message and the incendiary return of Bobby Womack. ‘Plastic Beach’ hangs together while cover an incredible range of musical genres including classical, Oriental, hip-hop, grime, electro, pop and rock to name but a few.

3. El Guincho – ‘Pop Negro’ (Young Turks)

El Guincho stepped his music up several gears on this his second album. Taking in Spanish pop, hip-hop, South American music and 80’s heartthrob Luther Vandross. This gave the album its unique sound combining crisp, heavy but danceable rhythms with a glossy production resulting in an album that always puts a smile on your face.

4. Konono No.1 – ‘Assume Crash Position’ (Crammed Discs)

This is another summer blockbuster, this time from Congo. Five years on from their début Konono No.1 returned and seemed to have completely flipped their formula on its head. Instead of the persistent distorted thumb pianos occupying the top of the mix they changed places with waves of reverb drenched sound that had previously hidden beneath them. This changed the sound dramatically creating a more relaxed atmosphere.

5. Mark McGuire – ‘Living with Yourself’ (Editions Mego)

2010 was a busy year for Mark McGuire as well as releasing Emeralds critically acclaimed ‘Does It Look Like I’m Here?’ he produced this his first properly distributed solo release. There’s a lot more space in this than Emeralds latest and ambience and melody share equal billing on this great guitar record.

6. Flying Lotus – ‘Cosmogramma’ (Warp)

With ‘Cosmogramma’ FlyLo has transcended any of the generic tags applied to his music. Yes there are snatches of hip-hop, jazz, chiptune, funk and soundtrack music sometimes all at once but the sound can never be pinned down. It may not quite live up to the hype that preceded it but its ambition takes it close.

7. Big Boi – ‘Sir Luscious Left Foot…’ (Def Jam)

I wasn’t a big fan of ‘Speakerboxx’ Big Boi’s side of the OutKast’s 2003 double album. But ‘Sir Luscious Left Foot…’ is completely different album stuffed full of phat, funky beats that could only come from a member of Atlanata’s finest.

8. Sun Araw – ‘On Patrol’ (Not Not Fun)

18 months ago I hadn’t even heard of Sun Araw, but since hearing his music for the first time this spring I’ve been pretty much addicted. This latest album brings new depth to his dub-infected beats and shimmering wah-wah freak outs. The atmosphere and noises go to the next level and I await his next full length journey with bated breath.

9. Lindstrom and Christabelle– ‘Real Life is No Cool’ (Smalltown Supersound)

Lindstrom took a break from his usual cosmic disco dabbling to create a credible pop record with irrepressible Christabelle. Despite its catchiness and production gloss Lindstrom still provides surprises and twists not traditionally found in pop. The highlight of this outstanding collection is the Dr. Dre aping ‘Lovesick’.

10. Matthew Dear – ‘Black City’ (Ghostly International)

Matthew Dear returned this year with a concept album that hung together brilliantly and restored the faith of those critics who’d deemed his earlier effort ‘Asa Breed’ erratic. The conceptual arch of the record made a real difference and makes for a darker but no less thrilling experience.

11. Hot Chip – ‘One Life Stand’ (EMI/DFA)

In some ways Hot Chip are their own worst enemies and this would have charted higher if it had more of the unpredictability of ‘Made In The Dark’. Having said that this record strikes a balance between warm and sweet and sentimental and sickly. Not an easy achievement by any means.

12. Errors – ‘Come Down with Me’ (Rock Action)

When this album I heard about this album I didn’t get that excited but as the release drew nearer I revisited their début and realised it was much better and warmer than I remembered. I had feared Errors would become a forgotten second tier post-rock band but instead they stepped up a gear with an album packed with highlights. Go see them live and buy the album you won’t regret it!!

13. Jamie Lidell – ‘Compass’ (Warp)

This album was definitely a grower at first half the material failed to make an impact on me; however repeat listening has paid dividends. Lidell has returned to his schizoid genre and mood hopping and this album benefits massively, from dust ball hip-hop of ‘The Ring’, the super deep bass of ‘She Needs Me’ and the desolate beauty of the title track.

14. The Black Dog – ‘Real Music for Airports’ (Soma)

Another great ambient album in that’s had a few (Oneohtrix, Emeralds etc), this time taking on the inventor and king of ambient music Eno himself and succeeding. Created using field recordings made in airports combined with synths, bass and beats The Black Dog blew Eno’s utopian ideal out of the water.

15. Baths – ‘Cerulean’ (Anticon)

I’ll admit that I’ve not been taken with Chillwave as it swept all before it in last year or so. Though Bath début album touches on similar sounds and ideas I believe (as do some journalists) that he isn’t a part of the genre. Baths cover everything from ambient instrumentals through to tracks featuring his angelic vocals and everything in between, his beat slip and slide with the elastic and liquid music that plays around them.

16. These New Puritans – ‘Hidden’ (Domino/Angular)

These New Puritans showed up a lot of their fellow ‘innovative’ indie bands this year by delivering this combination of medieval sounding brass and woodwinds, children’s choir and dancehall beats. It could have been a disaster but instead band leader Jack Barnett’s proved he is a great composer of ground breaking music.

17. Evan Caminiti – ‘West Winds’ (Three Lobed)

Since the end of last year and hearing Sunn O)))’s I’ve discovered more and more drone/doom metal music including Earth, Zaimph and Caminiti’s other project Barn Owl. This album is best of this year’s release and features seven of incredibly provocative pieces including one of my favourite tracks of this year ‘Glowing Sky’.

18. Janelle Monae – ‘The Archandroid’ (Bad Boy/Atlantic)

Like Flying Lotus Monae attempted to produce an ambitious sci-fi concept album and overall she succeeds, however during the second half of the album elements don’t gel as well and the last track could do with  being half as long. There are still many great moments but for now Monae shows the potential to become a truly great artist.

19. Kanye West – ‘My Beautiful Twisted Fantasy’ (Mercury)

This album would have easily been in my  Top Ten if it had only been released a couple of months earlier the lack of time to listen to and digest this means it just straps in because of its ambition and this point what seems to be a high proportion of great tracks.

20. Sleigh Bells – ‘Treats’ (Columbia)

When I first heard Sleigh Bells demos I’ll admit that I wasn’t 100% sure what all the fuss was about, I loved ‘Infinity Guitars’ but other than that they didn’t inspire. However, they’ve proved me wrong with this début album that blends cute pop vocals and melodies with crunching guitars and huge beats. A refreshing slap in the face from a band with a lot of potential to expand!!

Honourable mentions:

LCD Soundsystem – ‘This is Happening’

Caribou – ‘Swim’

Holy Fuck – ‘Latin’

Tobacco – ‘Maniac Meat’

Pocahaunted – ‘Make It Real’

Review of the Year – Observations

Two words seem to have loomed large for me musical this year Ambient and African. Both These types music that were almost completely new to me at the start of the year. Ambient music has actually helped change my perception of what music can be, I’d often dismissed it in the past as it wasn’t attention grabbing enough but I was missing the point. Though I still actively listen to it, I also use it while I work to help me focus (Brian Eno’s ‘Ambient#4: On Land’ is particularly good for this). Ambient has changed the way I choose what music to listen to and judge whether its good or not, I can appreciate subtlety much more.

Meanwhile I’ve gone from only having heard Konono No.1 and Amadou & Miriam to hearing King Sunny Ade, Tinariwen, Tony Allen, Fela Kuti, Mulatu Astake and compilations featuring Afrobeat, Funk and traditional music from Ghana, Nigeria, Benin and Togo. I’ve been most impressed by ‘African Scream Contest: Raw & Psychedelic Afro Sounds from Benin & Togo 70s’ (Analog Africa) which is pretty much as the title suggests, only don’t be expecting an African Hawkwind.

Finally I’ve noticed there’s been a massive increase in quality remix albums, it had seemed that they’d been completed derided and I couldn’t remember the last good/great one I heard. This year has been a bumper year, Health ‘Disco2’ is the pick of bunch 24 great and varied electronic remixes that putting the originals in brand new contexts. We were also treated to remix albums of Caribou (‘Swim Remixes’), Gonjasufi (‘The Califph’s Tea Party’), Errors (Celebrity Come Down With Me’), Bear In Heaven (Best Rest Forth Mouth’), the latest instalment in RVNG Records Frkwys series of remixes and collaborations that saw Juan Atkins, Hans-Joachim Irmer (Faust) and Gibby Hayes (Butthole Surfers) remixed (admittedly awful) psychedelic rock band Psychic Ills to stunning effect.

Vier’s Albums of the Year

20. The Knife, MT. Sims and Planningtorock – Tomorrow, In A Year (Brille): This was never going to be easy. The Knife don’t do easy. The first disk fights the listener at every step. It is confrontational, violent and refuses respite. It beats you into the place of  Charles Darwin, consumed by nervous excitement and anxiety as you walk on alien territory. The second disk offers some humanising introspection and displays The Knife’s (and their collaborators) powerful song writing ability to turn even routine biological observations into heartbreaking poetry. Tomorrow, In A Year isn’t enjoyable, it isn’t supposed to be. Much like Darwin’s vocation, you don’t have to like it or understand it but you must respect it and its objective.

19. Walls – Walls (Kompakt): Haunting and emotive, Walls’ blend of distant thumps and skewed vocals make a compelling, slow-grower.

18. Jatoma – Jatoma (Kompakt): A late entry to the list has given Jatoma a low position nonetheless the cloaked threesome’s debut deserves to be listened to. The sparkly, modulating synths and exacting drums hark back to Cluster and Kraftwerk and on the straighter dance tracks ‘Durian’ and ‘Bou’ the influence of The Field is channelled into gauzy loops and arpeggios.  This and Walls fit Kompakt perfectly and point the way to the next era of the Cologne label.

17. Washed Out – Life Of Leisure (Mexican Summer): This debut is the sound of summer nostalgia. Revealed by the cover’s lilac dream, warm washes of synths and the sighs and lilts of Ernest Greene’s drenched voice.

16. Caribou – Swim (City Slang): Opening with seasick standout ‘Odessa’, Swim is steady and deceptively dark. The accomplished production places an interesting stereo field on the tracks, giving the instruments and rhythms a side-to-side, rocking feel, which works impressively well both at home and in clubs – something few dance albums have fully mastered.

15. Holy Fuck – Latin (Young Turks): The four-piece adeptly construct tracks that are direct yet reveal deeper layers and sounds on repeat, demonstrating that as well as effected soundscapes they can make confident songs.

14. LCD Soundsystem – This Is Happening (DFA): Of all the albums on the list This Is Happening was the most troublesome. When it hits it proves James Murphy is an incredible composer, lyricist and singer (tender crooning replaces the snot) and it proves LCD are an incendiary unit. So their third album should be top 3 but, but… when it doesn’t hit its pastiche-y, uninspired and, worst of all, irritating, because it could be fucking great if only those influences, which were previously sown together with love and affection, were not so glaringly obvious now. The total of their sum parts made LCD exciting yet for This… it is as if Murphy collected those sum parts then went missing but, but… even if for One Touch, Dance Yrself Clean and I Can Change alone it still deserves a place in the top 20.

13. Marc Houle – Drift (M-nus): The Techno Priest delivers an intense lecture in experimental techno as Drift travels from the suffocating winter darkness to the onset of spring. As the ice recedes Houle’s mood has lightened: the tracks develop playfully, analogue synths are tweaked and melodies shine. An eloquent representation of December’s freeze.

12. Black Dog – Music For Real Airports: Composed of field recordings and recalling Autechre and Plastikman, Music For Real Airports recreates an alienating environment where disconnected bleeps, beats and deep bass drums meet brittle hi-hats and ambient atmospherics that oppose Eno’s 1978 utopia.

11. El Guincho – Pop Negro (Young Turks): In direct contrast to Drift, Pop Negro is an aural Um Bongo – refreshing, bright yellow and highly addictive. El Guincho sings in his native, both joyous and yearning, Spanish, while intricate compositions of bouncing melodies, 808 claps and Latin pop are so full of life you bounce back to summer, Um Bongo in hand.

10. Harmonious Thelonious – Talking (Italic): German techno, Minimalism and African percussion are not the most obvious partners but Talking combines these influences with ease. The producer’s debut is a trance-inducing collection of hypnotic rhythmic patterns and danceable voodoo atmospheres. Its pulse is driven by African rhythms and European electronics that create a challenging, playful and deeply idiosyncratic record.

9. Zola Jesus – Stridulum II (Souterrain Transmissions): After sitting on the boundaries of my usual taste I checked out this release after she gained support from Fever Ray, with whom she shares a kinship of producing cathartic and oppressive yet seductive reassurances you want to selfishly take for yourself.

8. Magda – From The Fallen Page (M-nus): After the first listen I was disappointed that this wasn’t as varied or as distinctly ‘Magda’ as her much praised mixes are. With repeated listens her debut reveals her personality is more delicately placed alongside tongue-in-cheek glimpses of Italian horror movie sounds, dark atmospherics and awe-inspiring basslines.

7. Oneohtrix Point Never – Returnal (Editions Mego): For me Returnal brings to mind GAS. Drum-less synthesiser constructs have the air of classical music’s rise and falls and dignified ambience but where GAS is isolation, Lopatin’s creations evoke a dreamy silvery trees and ghostly voices blanketed by a thick fog.

6. Matthew Dear – Black City (Ghostly International): Dear’s third album under his birth name sees him fully immersed in the role of the seamy narrator that Asa Breed hinted at. The thick Talking Heads-indebted productions and bodiless utterances swallow his voice as he recounts strangely alluring tales of desire and sleaze.

5. Konono No.1 – Assume Crash Position (Crammed Discs): Similar to other list entries the songs on Assume Crash Position instantly hit, giving out a warm, uplifting feel while endowing an ample amount of depth, breadth and emotional resonance. The Congolese group prove that artists don’t need the best equipment money can buy to create impressive music.

4. Marcel Dettmann – Dettmann (Ostgut Ton): Lovers of deep, warm techno should listen to this Berghain resident’s debut. Dettmann is an effortlessly lean example of present-day techno structured with an elegance that only German artists are achieving.

3. Ellen Allien – Dust (Bpitch Control): It isn’t the perfectly skewed electronic pop of Berlinette but thankfully it’s not the unrelentingly dull Sool. Allien is back doing what she does best. Belying her attention to detail, Dust is a collection of playful and immediate hymns to love, sex and dancing.

2. Pantha du Prince – Black Noise (Rough Trade): With a cover that isn’t what it first appears, the songs within unfurl and open up to reveal a meticulous mix of haunting chimes and clusters of percussion that build into something dark and forceful, giving Hendrik Weber’s Black Noise a sound that always seems to be on the edge of erupting into something devastating.

1. Thomas Fehlmann – Gute Luft (Kompakt): This took the pole position on the ‘Best Album’s Of The Year….So Far’ June piece and it remains there six months on. Though composed as a soundtrack to real-time documentary ‘24 Hour Berlin’, Gute Luft plays like a loving tribute to Fehlmann’s partner Gudrun Gut. Drums shuffle and rebound, claps and basslines thrust hips, synths bathe, sing, slink, embrace and reminisce, creating a perfect example of sensuous and dreamy elegance.

Mixes of note:

  • DJ Kicks: Apparat (!K7) (which features a new track from Telefon Tel Aviv, the first Joshua Eustis has made since Charlie Cooper passed away in 2009)

  • Ben Klock – Berghain Vol. 2 (Ostgut Ton)

  • Marcel Dettmann – Berghain Vol. 4 (Ostgut Ton)

  • V/A – Fünf (Ostgut Ton)

Honourable mentions:

  • Reboot – Shunyata (Cadenza)

  • Efdemin – Chicago (Dial)

  • Greie Gut Fraktion – Baustelle (Monika Enterprise)

Spotify playlist:

Sonic Fiction’s Albums of the Year 2010

 

 

 

 

 

 

 

 

Review of the Year – Observations

Due to the wealth of Berghain and Ostgut Ton releases I’ve been inspired to listen further to the spiritual forefathers: Basic Channel, GAS and Pole etc., all of whom I missed the first time round, owing to being at primary school. As discussed in my minimal techno piece these artists composed some of the most vital and interesting music of the nineties and are still essential: their material has birthed the recent dub-techno stirrings from Berlin and elsewhere. Marcel Dettmann and Ben Klock, the Action Man poster boys of the resurgence in metallic, intense and climatic Berlin-centred techno, have released one effortless album, an EP and a handful of mixes. Listening to these is an education and an exciting preview of what is to come.

After reading the Kosmische Musik book (see below) I listened to Harmonia with Zuckerzeit and Tracks and Traces standing out. I went back to most of Cluster’s catalogue and found Sowiesoso and their 1977 collaboration with Eno to be the best introduction to the genre, though all are worth checking out.

On another note, 2010 has been absolutely dominated by doorstop. For a genre that was spawned from the underground we have witnessed a depressing inevitability in it going mainstream: advert soundtracks and daytime Radio 1 plays, guest spots and interviews (She-devil Fearne Cotton and dullstent! Skills!). It is everywhere, omnipresent, ubiquitous, all-pervading, as such I cannot hear, read or type that word anymore without wanting to burn it . Worst still is that duckstep is so ball-achingly tedious, a fact no one has critically addressed as everyone is falling over themselves praising the most monotonous and lifeless sound that has plagued this year’s musical landscape. Perhaps in 2011 it will go back from whence it came.

Books

Earlier this year I read Krautrock: Cosmic Rock and its Legacy, which is a comprehensively-written collection of the German Kosmische Musik artists. The author and journalists contribute an overview of Germany and the mindset of the generation born during and after WWII to put the work of the artists in a fascinating context. Also on the list was Anna Funder’s Stasiland, a collection of moving stories of those who lived under Communist rule in East Germany interspersed with Funder’s retrospective view (the book was published in 1997) on the regime, the people who upheld it and those who it destroyed and how Leipzig (where the Stasi headquarters were based) and Berlin have dealt with the effects of the Berlin Wall falling and the full extent of the regime being uncovered. Both are entirely worth reading.

These two charts list our Top Ten Albums of the Year…so far. All the albums talked about on the site are recommended (unless explicitly pointed out) but we felt a list at the half way point might guide people to what we think are the best.

Sonic Fiction editor Liam Flanagan’s Top Ten Albums:

1. Hot Chip – ‘One Life Stand’ (DFA/EMI)

1. Gorillaz – ‘Plastic Beach’ (EMI)

It was difficult picking between the latest releases from Hot Chip and Gorillaz as both have produced albums that reach high standards of songwriting. Hot Chip achieve this via a consistent sound whereas Gorillaz genre-hop from track to track and both are heads and shoulders above the rest.

2. Konono No.1 – ‘Assume Crash Position’ (Crammed Discs)

Five years on from their début ‘Congotronics Vol.1’, Konono No.1 out do themselves. Adding guitar, bass and a sublime feeling to their busy trademark likembe-driven sound. The sound of sunshine contrasts with the industrial origin of their homemade equipment to create an intriguing  juxtaposition.

3. Lindstrom & Christabelle – ‘Real Life is No Cool’ (Smalltown Supersound)

Cosmic disco producer Lindstrom delivers another great collaboration album, this time with vocalist Christabelle. Across ten tracks they celebrate all that is great about modern and retro disco, dance and pop music.

4. Holy Fuck – ‘Latin’ (Young Turks/XL)

Holy Fuck’s latest offering sees them cleaning up their sound with band co-founder Graham Walsh on production duties. The record builds on the excellent complex soundscapes from ‘LP’ (2007) and demonstrates the band’s songwriting abilities while losing none of what previously made them unique.

5. Jamie Lidell – ‘Compass’ (Warp)

Lidell returns to the form that made 2005’s ‘Multiply’ such a deep and enjoyable lesson. Yet where Lidell made use of his extremely talented musical friends and a fair amount of technology on ‘Multiply’ this time he assembled a crack team of musicians (including Motown drummer James Gadson, Wilco’s Pat Sansone and Feist) and co-produced the album with Beck and Chris Taylor (Grizzly Bear). The most organic of Lidell’s albums, it journeys through a bewildering range of emotional and musical space.

6. LCD Soundsystem – ‘This Is Happening’ (DFA/EMI)

Despite some tracks disappointing due to the repetition of previous ideas, James Murphy still manages to produce an album that would stir up jealousy in many musicians. The last three tracks are particularly  impressive and expressive. ‘Pow Pow’ being my favourite.

7. The Black Dog – ‘Music for Real Airports’ (Soma)

An album that challenges Brian Eno’s version of a utopian airport space on his original ‘Music for Airports’ (1978). The Black Dog may have actually outdone Eno, but only time will tell.

8. Errors – ‘Come Down with Me’ (Rock Action)

Errors display an ability to compete with their contemporaries where they previously suffered criticism for apparently lacking a distinctive sound. On ‘Come Down with Me’ they not only address this but also develop their melodic flair, producing a slow burner that pays off with big rewards for repeat listeners.

9. These New Puritans – ‘Hidden’ (Angular/Domino)

These New Puritans’ début album was widely misunderstood and no-one expected them to return with this sound. ‘Hidden’ combines a children’s choir, brass and string sections and foley sound recordings and welds them to tribal percussion and deep hip-hop and dancehall beats. This adventurous album could easily have gone awry but composer and leader Jack Barnett marshals these disparate influences into a cohesive whole.

Spotify Playlist (HTTP link, then Spotify link):

Top Ten Albums of 2010…so far playlist

Top Ten Albums of 2010…so far playlist

Our new bi-monthly contributor Izvestia’s Top Ten Albums:

1.  Thomas Fehlmann – Gute Luft (Kompakt)

Composed as a soundtrack for 24 Hour Berlin, a documentary that followed a day in the lives of Berliners in real time, Gute Luft is a faultless journey through dreamy, gently pulsating techno amid a refined sexiness.

2. Ellen Allien – Dust (Bpitch Control)

It isn’t the perfectly skewed electronic pop of Berlinette but thankfully it’s not the unrelentingly dull Sool. Allien is back doing what she does best. Belying her attention to detail, Dust is playful, poppy and immediate.

3. Pantha du Prince – Black Noise (Rough Trade)

With a cover that isn’t what it first appears, the songs within unfurl and open up to reveal a meticulous mix of haunting chimes and clusters of percussion that build into something dark and forceful, giving Black Noise a sound that always seems to be on the edge of erupting into something devastating.

4. Marcel Dettmann – Dettmann (Ostgut Ton)

Lovers of austere techno should listen to this Berghain resident’s debut. Dettmann is an effortlessly lean example of present-day techno structured with an elegance that only German artists seem to be achieving.

5. LCD Soundsystem – This Is Happening (DFA/EMI)

Potentially the last album by LCD, the central focus is love and separation with mixed results. ‘One Touch’ and ‘I Can Change’ are as impressive as anything on Sound Of Silver but elsewhere the influences are too clear and lack the subtlety James Murphy has demonstrated previously.

6. Holy Fuck – Latin (Young Turks/XL)

The four-piece adeptly construct tracks that are fun and direct yet reveal deeper layers and sounds on repeat and prove that they can make songs as well as effected soundscapes .

7. Etienne Jaumet – Night Music (Versatile Records)

Analogue synthesis plus Carl Craig. Nice.

8. Caribou – Swim (City Slang)

Opening with the seasick album highlight Odessa, this dance-influenced release is well-produced and consistent and though not a natural singer, Dan Snaith’s voice blends into the songs and becomes another instrument in the mix.

9. Konono No. 1 – Assume Crash Position (Crammed Discs)

Similar to other list entries the songs on Assume Crash Position instantly hit, giving out a warm, uplifting feel while endowing an ample amount of depth, breadth and emotional resonance. The Congolese group prove that artists don’t need the best equipment money can buy to create impressive music

10.  The Black Dog – Music For Real Airports (Soma)

Composed of field recordings and recalling Autechre and Plastikman, Music For Real Airports recreates an alienating environment where disconnected bleeps, beats and deep bass drums meet brittle hi-hats and ambient atmospherics.

Spotify playlist (HTTP link, then Spotify link):

Top Ten Albums of 2010…so far Izvestia

Top Ten Albums of 2010…so far Izvestia

February continued where January left off only upping the ante of quality releases.

Hot Chip proved yet again to be masters of studio and stage when they delivered their new album ‘One Life Stand’, which has been rightly hailed as their most consistent effort to date and features too many catchy tunes to count. Watching them perform at Leeds Academy I could see they had continued to exponentially improve their already impressive live shows. Hot Chip demonstrated they have gained the confidence to exhibit, without arrogance, a combination of songcraft, dynamics, performance and adaptation that hit the highest levels possible.

I also invested in a Rough Trade exclusive version of the Lindstrom and Christabelle album ‘Real Life is No Cool’, as mentioned in January’s post, and was delighted with the package that also included a second disc of six remixes and a third featuring Lindstrom’s (slightly over long and repetitive) version of the carol ‘Little Drummer Boy’. These New Puritans’ album is another essential purchase and has forced me to reassess this band and I will be revisiting their debut ‘Beat Pyramid’ on Spotify soon. I continued my spending spree on new music with Zombie Zombie member Etienne Jaumet’s album ‘Night Music’, which is a brilliant distillation of techno, krautrock and horror film music that spooks and thrills in equal measure.

I also caught up with couple of release from last year. The first being Mos Def’s ‘The Ecstatic’ which deserved a place on my ‘albums of 2009’ list. Though, like all of his albums, it has a New York feel, the key difference here is that it traverses from Bollywood to Nigeria and finds Mos eschewing his wordy rapping and long tangents for short, sharp bursts of sound. The second of these releases was ‘Inspiration Information Vol.3’ by Mulatu Astatke and The Heliocentrics, a combination of Astatke’s own genre Ethio-jazz (a fusion of jazz and traditional Ethiopian melodies and harmonies) and The Heliocentric’s blaxploitation style of funk. This is must for fans of African music, The Herbaliser and The Cinematic Orchestra. Astatke’s new album ‘Mulatu Steps Ahead’ is out on 29th March and features The Heliocentrics as guests. The quality present on ‘Inspiration Information Vol.3’ is at such high level, it’s another big recommendation.

Finally I rounded off the month with a couple of classic krautrock reissues in the form of Can’s ‘Tago Mago’, an incredible double album that veers from taut funk inspired rock to paranoid synths scapes over its duration. The other was ‘Pheadra’ by Tangerine Dream. An album that many credit as a major inspiration for ambient music and modern dance music producers including Lindstrom and Prins Thomas.

This months Spotify playlist:

February 2010 playlist

February 2010 playlist

To check out in March:

Errors – ‘Come Down with Me’ 1st March

Tuung – ‘And then we saw Land’  1st March

Gonjasufi – ‘A Sufi and a Killer’ 8th March

Gorillaz – ‘Plastic Beach’ 8thMarch

Liars – ‘Sisterworld’ 8th March

The Knife – ‘Tomorrow, In A Year’ 8th March

Madlib – ‘Medicine Show Vol.3: Beat Konducta in Africa’ 22nd March

Erykah Badu – New Amerykah Part Two: Return of the Ankh 29th March

Mulatu Astatke – ‘Mulatu Steps Ahead’ 29th March

Method Man/Ghostface/Raekwaon – ‘Wu Massacre’ 29th March.

Also plenty of posts to look forward to on this blog. I’ll be covering hip-hop culture, non-musicians and a new regular feature re-evaluating classic and cult albums of the past.

This is the first in a series of more informal posts where I share my thoughts and feelings about each month. Other entries that will form this blog’s main content are imminent, so keep checking back.

January hosted a mixed bag of album releases for me. However, it has left me feeling that it’s one of best starts to a musical year for quite a while and following months promise many more treats.

On the one hand, this month provided some disappointments in the form of long-awaited and much anticipated albums by Four Tet (who is this imposter?), RJD2 (who seemed to be trying to marry his two career paths thus far and the results were mixed) and Jaga Jazzist (a band that the more I listen to the more I realise they are incredibly hit and miss). Still even in these perceived failures there was hope and signs of great creativity. Jaga Jazzist in particular are immense and a force of nature when on form.

However, I was caught out by those that I’d not expected much from. Manchester’s Delphic impressed with an album full of strong tunes that managed to neatly dodge the cliches usually associated with indie-dance. Meanwhile the misunderstood (even I didn’t get them first time round) These New Puritans blew me away with fine songwriting, complex arrangements and insanely high production values!! I also enjoyed the dizzying highs of ‘Real Life is No Cool’ by Lindstrom and Christabelle and newly converted Ableton Live lover Blockhead finally added new colours and moods to his excellent production palette with his album ‘The Music Scene’.

I’ve yet to get out to a gig or club night in 2010 but there’s plenty lined up, including Hot Chip in a week’s time.

Back again in March with my February thoughts and feelings.

A Spotify (http link then Spotify URL) playlist for you to enjoy the acts mentioned above:

January 2010 playlist

January 2010 playlist

and due to unresolvable editing issues here is the Spotify playlist for the Albums of the Year 2009 post:

Albums of the Year 2009

Albums of the Year 2009

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