Category: Dance music


With the inclusion of this album in My Favourite Releases of the Year… so far you may see a theme developing… yes I like French music and Spotify has definitely caught on to this and is putting it in front of me on a semi regular basis. I’m not complaining as I’m discovering some great music from the Funk of Cotonete to this French Hip-Hop album by Soulence. I have enjoyed French Hip-Hop over the years whether it’s the appearance of MC Solaar’s music in the film “La Haine”, hearing Saian Supa Crew on UK evening Alternative radio shows back in the early 00’s and more recent mixes on Onra’s mixes both of French Hip-Hop and of Hip-Hop that samples French music. However, never taken the plunge and actually bought any French Hip-Hop or really explored the genre properly. I think this will change with “French Cassette” as it’s just shy of an hour of funny, funky and very French instrumental Hip-Hop.

“French Cassette” is a celebratory album and it’s celebrates both cliches about France and the French and the Boom Bap era of Hip-Hop. This is a album that’s all about breaks, scratches, sampling spotting and plenty of Funk to boot!!! There are also some synth sounds dotted throughout the album that come closer to recalling Dr.Dre’s G-Funk sound. Hip-Hop isn’t the only genre that crops up on this album there is also some track that use a lot of filtering in a way that is similar to the Filter House genre that was invented in France in the 90’s and made proper by the likes of Daft Punk, Cassius and Etienne De Crecy aka Super Discount. An artist who the album often reminds me of is The Go! Team mainly due to the lo-fi sound and the fun and humour that pervades the album, Mr. Scruff would probably be another relevant reference point. However, I think it’s worth pointing out that the humour and fun of this album doesn’t detract or distract from the production talent of this duo there isn’t a duff track on the album and the sound is phat with drums slapping like the best classic Boom Bap. This an album that needs your attention (and cash) now!!!

Listen to Souleance and let me know what you think of “French Cassette” in the Comments.

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I first heard of Nubiyan Twist when I went to see Joe Armon-Jones at The Crescent in York last November, as Joe introduced the band he got to bassist Luke Wynter he said he was in Nubiyan Twist from Leeds. My first thought was that’s a great name for a band and that there was another potentially great band coming out of Leeds. It turns out I was right this is another great band coming out of Leeds (though now based in London) and what’s more another great band that met and formed at Leeds College of Music. Leeds College of Music is a respected music education institution in the UK but if it keeps on producing the amount of quality bands it is currently it will become world famous and rank alongside the likes of Berklee in the USA.

But I got off the point for a while there It’s time to get back to talking about the music of Nubiyan Twist and their album “Jungle Run”. On the bands Facebook page under Band Interests it says “To encourage artistic and social unity between different cultures and musical styles.” This is definitely a mission statement the band achieves on this album, they combine the disparate styles of dance music (including House and Drum ‘n’ Bass), Dub, Latin, Afrobeat, Ethio-Jazz, Hip-Hop, Turntablism and Soul into a potent stew of sound. This is quite an achievement considering the band has ten members And also joined in this album by guests Nubiya Brandon (vocals), Tony Allen (drums) the inventor of the rhythms of Afrobeat and Mulatu Astatke (vibraphone) the inventor of Ethio-Jazz. I have to admit that I am very jealous of the fact that the band gets to work with two giants of African music. Another achievement is to not be subsumed by those legends on the track states they contribute to this is a band with a clear identity and incredible musical talent to boot. Bandleader Tom Excell also produced the record in the bands own studio in Oxfordshire in the UK and it’s an impressive feat to say the least to build to get all these competing instruments and talents to play nicely in a mix. This isn’t just an impressive album it’s a lot of fun to the irresistible beats make impossible for you not to dance and the catchy choruses will be in your head in no time.

I know I’m probably repeating myself here but it’s hard to overstate how incredible this album is not only as a musical achievement but something that truly represents what music can be in the 21st-century. This is an album of the Internet age don’t get me wrong there are albums made fused cells are music together before the Internet age but “Jungle Run” is something only truly achievable in a world where you can access any music at any time with the click of a button. This is a real Album of the Year contender and definitely check it out.

Let me know what you think of “Jungle Run” in the Comments.

Late last year a single called ‘Yesterday’ by an Artist called Connie Constance popped up in a Spotify Release Radar playlist and I liked it and was intrigued by it. My first thought was that I couldn’t place what music might have influenced this combination of Synths and Soul. This week listening to Constance’s debut album “English Rose” it hit that it was Stevie Wonder that was the Artist ‘Yesterday’ was indirectly referencing. It’s this that really sums up Constance and her music, she’s really hard to pin down and reading her Artist bio it starts to make sense this is a person whose never fit in. Constance grew up in Watford a suburb of North London and pretty leafy, white middle class one at that. She stuck as a young mixed girl surrounded by white people.

This is a theme that continues throughout the album with neither Constance’s voice, lyrics nor the music styles and elements she’s using fitting nicely into easy categorization. Her voice can easily be compared to Otis Redding, Ari Up from The Slits and Bjork (though she doesn’t push her voice as far as a young Bjork did) and the music ranges from Neo Soul ballads to Indie Rock stomp via nods to contemporary dance music. Another helpfully reference point is Amy Winehouse due the F-Bombs, bitter songs about exes, unashamed use of her London accent and the fact that across the album she can sound both young and wise beyond her years. All-in-all though Connie Constance is Connie Constance a square peg in a round hole. Check out “English Rose” below and let me know what you think if the Comments below:

 

Welcome to the first proper post of 2017. Some people reading the blog last year may have noticed that I tried to review more music by women, in fact I was trying to strike a 50-50 balance between the music I reviewed that was by men and music that I reviewed that was by women. I managed to get that balance. This year and beyond I want to try and achieve that balance in my own music collection. I know that I may never reach a 50-50 split as there are just less women making music but I feel like I manage to balance these things in the rest of my life (films, T.V. podcasts etc.) While the music industry seems uninterested in pushing women to the forefront of music (other than pop music). I personally love and respect women both in general and in terms of artistic expression especially in music but feel that my music collection doesn’t necessarily reflect it enough. So I want to tackle this lack of balance in my own collection and hope we can all spread this positive message far and wide.

I’ve come across lots of talented artists/bands/producers but I’ve decided to ask for some recommendations as female bands/artists/producers struggle to gain the same amount of attention as their male peers. To help with the recommendations process I have created a list of music that I own by/or featuring women. I hope that this list gives you an idea of my taste and avoids people recommending artists or releases that I already own. I’ve also included a list of priority purchases so you know what I’ve got in mind to buy in the future. I’d buy them all but my benefit won’t allow for that and I will still buy some music by men as this is about striking a balance rather than cutting something out completely. .

I’ve set up a new Twitter account, @HerSonicFiction, where I’ll share what female artists I’m listening to now. Feel free to Tweet your recommendations at me or put them in the comments below. If we can all use #HerSonicFiction then we can introduce each other to some great female artists and encourage even more people to listen to and buy music by women.

Albums I already own

Kate Bush – “Hounds of Love”

Elza Soares – “Woman at the End of the World”

Thao & the Get Down Stay Down – “Man Alive”

Lindstrom & Christabelle – “Real Life is no Cool”

Solange – “A Seat at the Table” & “True”

Aretha Franklin – “The Very Best Of”, “Amazing Grace” & “Lady Soul”

The Staple Singers – “Be Altitude: Respect Yourself”

The Slits – “Cut”

Erase Errata – “At Crystal Palace”

M.I.A – “Arular” & “Kala”

Julia Holter – “Ekstasis”, “Tragedy” & “Loud City Song”

Deerhoof – “Offend Maggie” & “Breakup Song”

Stereolab – “Emperor Tomato Ketchup” & “Mars Audiac Quartet”

Colleen – “Captain of None”

Bjork – “Post” & “Medulla”

Erykah Badu – “New Amerykah Part One: 4th World War”

Neneh Cherry & The Thing – “The Cherry Thing”

Junglepussy – “Pregnant with Succcess”

Suzanne Ciani – “Lixiviation 1969-1985”

Kelis – “Tasty” & “Kaleidoscope”

Ikara Colt – “Chat and Business”

Janelle Monae – “The Archandroid” & “The Electric Lady”

New Order – “Technique”

Pixies – “Come On Pilgrim”, “Surfer Rosa” & “Doolittle”

Thee Satisfaction – “Awe Naturale”, Transitions”, “THEESatisfaction Loves Erykah Badu”, “Snow Motion” & “EarthEE”

Sleigh Bells – “Treats”

Patti Smith – “Horses”

Solex “Solex vs Hitmeister”

The Raincoats – “The Raincoats”, “Odyshape” & “The Kitchen Tapes”

Talking Heads – “Talking Heads ’77”, “More Songs About Buildings & Food”, “Fear of Music” & “Remain in Light”

Tom Tom Club – “Tom Tom Club”

Tamikrest – “Chatma”

Tune-Yards – “Nikki Nack” & “Who Kill”

Yeah Yeah Yeah’s – “Fever to Tell”, “Show Your Bones”, “Its Blitz” & “Mosquito”

Jamila Woods – “Heavn”

NoName – “Telefone”

female-pressure – Various Artists – “Music- Awareness & Solidarity w- Rojava Revolution”

Priority purchases:

more Kate Bush – suggestions very welcome

Lauryn Hill – “The Miseducation of Lauryn Hill”

Missy Elliott – “Miss E…So Addictive” & “Under Construction”

FKA Twigs – “LP1”

Kaitlyn Aurelia Smith – “EARS”

Dawn Richard – “Redemption”

 

Since her debut release in 2010 Tokimonsta’s sound has evolved starting out as a glitch-hop producer who went on to become the first female producer signed to Flying Lotus’ Brainfeeder label she’s in moving towards a more commercial sound since 2013’s “Half Shadows” album which was released on dance label Ultra. “Fovere” sees her continue this evolution while also referencing her past in glitch-hop.

Acoustic piano, processed vocals, heavy use of reverb and slick transitions are common traits thorughout “Fovere”, Tracks are short, tight and to the point, never outstaying there welcome, Most tracks stick to a fairly minimalist style, which is refreshing when compared to the maximalist EDM that currently dominates pop music.

I’m waiting’ opens with ascending synth arpeggio with spots of heavily processed vocal weaving in and out of the mix. The general vibe is very relaxed and ambient. However, for the final third bass drum and snare become much more prominent in the mix and propel the track towards its climax.

Next up, is ‘Put it down’ feat. Anderson Paak & KRNE. This is very much a club track, it starts with quick ascending plucked string and shuffling beat with Anderson Paak’s vocals coming in shortly after. The track then drops to a more straight ahead beat with a good swing, and a hook that will get stuck in your head. Stutter vocals come in on the second chorus giving the song more rhythmic variety and more electronic feel. This is easily Tokimonsta’s best club track to date and stands had the shoulders above the other tracks in the same style on this mini album. ‘Giving up’ feat Jonny Pierce begins with guitar and sighing harmonics from Pierce. Then the track breaks down with fast-moving high has slow-moving bass line consent atmospherics underpinning the vocals this picks up into a chorus featuring tightly timed piano arpeggios and finger snaps. Towards the end of the track two different vocal tracks intertwine while and an 8-bit synth line adds further melodic sophistication. Been true in general vibe reminds me of Leeds band Stateless, who did kind of cool Coldplay meets trip hop album from 2007. Second electronic track I know of that features Johnny Pierce of the drums, the first being a Matthew Dear track called ‘In the middle (I met you there)’

My favourite non club track on the mini-alum is ‘Straight Lace’ as it reminds me of earlier Tokimonsta tracks. Compressed squelchy beat and airy synth open the track and are then jo9ined by a nice percussion loop and reverb heavy piano chords. Occasionally we hear Tokimonsta’s owned processed vocals deep in the mix. As the track develops and makes more room for her vocals to become the lead vocals. My favourite tracks so far reminds me of earlier Tokimonsta tracks. Again it’s nice to hear understated track in a genre that just seems to scream LOUDER LOUDER LOUDER!!!

The mini album closes with ‘Wound Up’ feat. Allie with its dirty processed synths that weave in and out of each other before reverb heavy vocal harmonies poemerge into the mix. When the rhythm comes in its in double time and skitters along behind the vocal harmonies, a simple minor sounding melody plays over the top. Then the track gets going properly first with of a strong and full vocals coming in quickly followed by the return of the hi-hats and a snare drum. Lots of pitched vocals in the breakdown before a kalimba melody comes in this section and continues into the final section bringing the track and “Fovere” to their conclusions.

Overall, I feel this is a solid release from Tokimonsta and points towards a bright future where she continues to develop her sound and attract a larger audience.

Let me know your thoughts on “Fovere” and Tokimonsta in the comments below or via Sonic Fiction’s Twitter.

 

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