FKA_Twigs

FKA Twigs first appeared on my radar just a couple of months ago when the track ‘Water Me’ appeared on line and generated soon serious hype. It turned the hype was justified as it’s an excellent track that establishes FKA Twigs signiture sound delayed cover vocal harmonies, ethereal synths and slo-mo treated electronic beats, all topped off with her breathy sometimes whispered vocals. I found out that she had in fact self released another EP back in 2012 that had completely passed me by and had now been snapped up by Young Turks home to The xx with whom she shares “unflinching intimacy” in her music. The whole EP is produced by Arca a hotly tipped underground hip-hop who recently contributed a track to Kanye West’s “Yeezus”.

The EP opens with ‘How’s That’. It begins with a steadily moving deep synth strings sound and a hollow snare drums echoes out before Twigs vocals enter dropping in and out, there very breathy, a tambourine shaking covered in spine chilling reverb. Then a bitcrusher bass drum and click electronic percussion bash away almost overwhelming the other elements before settling for the main body of the track. The track display’s Arca’s understanding of dynamics as the track swifts from the spacious calm intro into the fuller and menacing main section. Next up is the best track on the EP ‘Papi Pacify’ it masterfully combines a deep detuned synth riff, Twigs echoing vocals at the start of this track. Then another synth starts up and brings in the stumbling glitchy beat and thin synth chords. Halfway through the tone change suddenly as a heavier dark beat and corroded synth bass line stumble into view. It sounds like a horror film soundtrack with the wrong lyrics over the top (the lyrics appear to be a love song).

The second half of the EP kicks off with the brilliant ‘Water Me’ which reminded me a little of Fever Ray. The song starts with vocal harmonies echo out before a synth drone slides underneath. A ratty distant snare comes in, eventually giving way to a beat and pitched echoing vocal harmonies, swiftly followed by Twigs enters singing her lead vocals. Some cool backing vocals come in along with a gliding synth melody around the two minute mark. Then EP concludes with ‘Ultraviolet’ which like ‘Papi Pacify’ is a song of two halves the first features Twigs sings over distant ethereal synth and slow, sparse electronic beat. Then halfway through Twigs and the synths rise up taking the song to a richer more melodic and harmonic place. The track turns into a dreamy R&B tune in slo-mo.

“EP 2” is one of the finest of EP length releases of the year so far with a throughly modern sound that brings together influences ranging from the chopped and screwed hip-hop of DJ Screw, the inimate and sparse touch songs of The xx and the taut trip-hop of Massive Attack’s “Mezzanine” (1998). Highly recommended.

Advertisements