Vier’s Recommendations

Silent Harbour – “Silent Harbour” 6th August (Echochord)

Dutch producer Conforce debuts a new alias by the name of Silent Harbour with an accompanying eponymous album on 6th August. Best known for dreamy, warm techno, Conforce’s decision to work under an alias is explained by a desire for him to “explore more cerebral and conceptual sounds” with a theoretical focus on “isolation, deep-sea submersion, [and] aquatic environments.” It will be released on the Danish label Echocord. Conforce’s Delsin-released album “Escapism” from November 2011 is highly recommended for fans of techno’s lower BPM side.

DeepChord – “Sommer” 27th August (Soma)

Heir to Berlin’s Rhythm & Sound is the Detroit-based Deepchord. Active since the late ‘90s Deepchord (Rod Modell) has been tweaking the dub-techno formula for years, trying out various balances of muffled beats, hazy ambiance and field recordings. This is precisely what the press release says you can expect from “Sommer” (German for summer): meditative electronic compositions enriched with organic sounds, many of which Modell collected at the beach near his home. “Sommer” comes barely a year after “Hash-Bar Loops” and like that album it will be released on Glasgow institution Soma Records.

Liam’s Recommendations

JJ Doom – “Key to the Kuffs” 20th August (Lex)

JJ Doom is the latest collaborative project to be announced/rumoured for release in 2012 by underground hip-hop legend MF Doom (in addition to Madvillian, Doomstarks and his collaborations with Johnny Greenwood and Thom Yorke from Radiohead) and features producer/rapper Jneiro Jarel. Guests on the album are Beth Gibbons (Portishead), Damon Albarn and Khujo Goodie (Goodie Mob). Check out ‘Guv’nor’ below plus ‘Banished’ from the album here and Dave Sitek’s remix of ‘Rhymin’ Slang’ here.

Teengirl Fantasy – “Tracer” 20th August (R&S)

For their second album “Tracer” Teengirl Fantasy have abandoned their sample based approach and bought in a number high profile guest vocalists Laurel Halo, Panda Bear and Romanthony (most famous for his guest slots with Daft Punk). Moving to Belgian dance label R&S suggests that 4/4 dance beats may more to the fore and so far the three pre-release tracks have demonstrated a good understanding of modern house and Hyperdub dubstep influenced sounds, this could rival Blondes self titled debut album for leftfield dance album of the year!

27th August

Dan Deacon – “America” 27th August (Domino)

The long awaited follow-up to “Bromst” (2009) is Deacon’s first release to use primarily acoustic instruments after many years of creating electronic 8-bit synth music that sounded like a delightfully deranged Atari game soundtrack. This change in direction was prompted after touring “Bromst” with a 13 piece acoustic ensemble. Deacon changed focus on this record making the lyrics and their more positive but still political content front and centre. The album is split into two sides, Side A is full of straight forward pop songs, while Side B is a 21 minute cinematic suite in four parts. The early signs are good with pre-release tracks “Lots” and “True Trush” sounding like wonky pop summer anthems. Whatever the rest of “America” sounds like you can’t doubt Deacon’s ambition.

Matthew Dear – “Beams” August 27th (Ghostly International)

Now a firm fixture on the dance music scene Dear returns with his fourth solo album, the follow up to “Black City” (2010) which featured in Sonic Fiction’s Albums of the Year 2010. The pre-release tracks that have emerged suggest that as with the transition between between “Asa Breed” (2007) and “Black City” Dear continues to subtle evolve his sound rather than completing a revolutary turn around on each new album. This is no bad thing and as he’s always proven in the past, Dear is very much the master of his unique sound.

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