March was a slightly disappointing month overall. For a start I’ve been unable to even hear more than a minute of the tracks on John Foxx and The Maths – ‘Interplay’, which I was looking forward to hearing and has received many good reviews. If I’m able to check this out later this year I will feature it in a future “2011: Through my biased eyes”.

The biggest disappointment that I did get to hear was Micachu and The Shapes live collaboration with the London Sinfonietta “Chopped and Screwed”. I have to say I wasn’t sure what to expect from this combination but despite creating a dark and heavy atmosphere on many of tracks that helped glue the album together there was almost always something missing. There were moments that rose to the occasion, “Low Dogg” was the highlight with its massive stabby string riffs that pushed this great stomper of a track along. Having the best and clearest chorus/vocal melody of the album compliments it perfectly. It’s certainly an intriguing album and it may well grow on me. I found that by the third listen I was warming more to its Peter and The Wolf meets ramshackle percussion and skewed electronica vibe. If  this sounds up your street check it out, but I feel it may be  an acquired taste.

Another album that presented a novel concept was Cornershop and Bubbley Kaur’s (a previously unknown Punjabi folk singer from London) “The Double O Groove of”. The idea was simple: use Punjabi folk’s melodic and harmonic ideas combined with lo-fi hip-hop beats with the added twist that Punjabi folk is usually written by men about women but these songs are written from the female standpoint. This translates very well on 60% of the album ‘The Biro Pen’ with  its killer piano licks and Motown guitar and the infectious ‘Topknot’ are particular highlights. However, 40% (‘Don’t Shake It’, ‘Once There Was a Wintertime’, ‘Double Decker Eyelashes’, ‘9/11 Curry’) really lets the side down, the high’s are dizzying and the lows are in the doldrums – insipid and uninspiring.

This month’s salvation comes in the form of “Toomorrow” by Wagon Christ aka Luke Vibert. It would be easy to dismiss this album as a repetition of everything (quirky vocal samples, jazzy breaks, hip-hop beats, Rhodes piano, acid squelches – all thrown in Vibert’s psychedelic blender) that Vibert has done before as Wagon Christ and there is some truth to that. However, he has produced an eclectic album full of great tracks (there’s not a duffer to be found) that will please long term fans and those new to this long term dance music fixture. For fans of the most esoteric output by Ninja Tune, Warp and Planet Mu!!

You can read my Classic’s Critiqued of Primal Scream’s “Screamadelica” here and I will cover Dadawah’s ‘Peace and Love” at some point after I’ve bought it later this month. Until then I managed find a track from the album on Spotify and add it to the March playlist below.

Spotify playlist:

March playlist

Coming up this month on Sonic Fiction:

MP3 Mix Madness: A mix of song combinations that have occurred on my MP3 player when set to Shuffle in last 18 months.

Classic’s Critiqued – “Y” by The Pop Group – critics love it, but it’s rarely mentioned outside of reviews of reissues and almost never referenced as an influence by bands. I explore why and more…

April Recommendations

Moon Duo – “Mazes” (Souterrain Transmissions) 4th April

This is one of three April releases I’ve already heard (the others are Low’s “C’mon” and TV on the Radio’s “Nine Types of Light”) and I throughly recommend them all. I first stumbled on Moon Duo (Ripley Johnson of Wooden Shijps side project with his partner, Sanae Yamada -on keyboards) late last year and liked what I heard. On this their début album proper they take things up a couple of levels.They fashion a great combination of Motown, The Velvets, Neu!, garage rock and Spacemen 3 and yet even with all those retro references the album sounds fresh and exciting. Moon Duo revitalise rock music when it seemed (for the most part) to be beyond the pale.

Low – “C’mon” (Sub Pop) 11th April

A great album that demonstrates Low experimenting with poppier sounds on the first half of the album and ‘Something Turning Over’ while the reminder of the album revisits older sounds and influences but does so while providing some great songs. Some Low fans won’t (and don’t) like the poppier material but I think it can be seen as another string to their bow and not a conscious attempt to sell out. This is not a band producing Top Ten hits, but one dripping its toe into unknown waters and successful completing an experiment. The fact this album was recorded in a Duluth (Low’s home town) church gives the slow more open tracks and fantastic atmosphere and ambience and complaints some great songs.

Ponytail – ‘Do Whatever You Want All The Time’ (We Are Free) 11th April

I don’t know a lot about Ponytail but listened to guitarist and founder Dustin Wong’s first solo album last year and was an interesting if not wholly satisfying work. However their new track “Easy Peasy” is very impressive as is the artwork by Eye from the Boredoms, so I’ll be checking this out.

TV on the Radio – ‘Nine Types of Light’ (Polydor) 11th April

Refreshed from their hiatus TV on the Radio return with what I believe is a mellow flipside to the intense but upbeat “Dear, Science”, the atmosphere is relaxed without being horizontal or turning into wallpaper music. The band hasn’t lost its personality, it’s just represent a different side of it. I was surprised that ‘Will Do’ was the first track they allowed people to listen to but now it makes a lot of sense within the albums context. Prince and “Speaking In Tongues” by Talking Heads seem good reference points, as does some modern R&B music. Highlights are the slow burning ‘Killer Crane’,‘New Cannonball Blues’ Prince style falsetto and quick, dirty funk guitar and superb opener ‘Second Song’.

tUnEyArDs – ‘w h o k i l l’ (4AD) 18th April

This is tUnEyArDs first step into the world of big studio production after her no-fi début album ‘BiRd-BrAiNs’. The single ‘Bizness’ was a first slice of upbeat ukulele driven pop. I’ve not heard anything else from the album but early reviews suggest vocals feed through modular synths and a strong World music influence across the album. An intriguing blend if even there was one.

Dennis Coffey – ‘Dennis Coffey’ (Strut) 25th April – Detroit funk legend returns with a guest filled new album that celebrates the music of the city. More info at Strut Records.

Prefuse 73 – ‘The Only She Chapters’ (Warp) 25th April

This album marks a significant development in Prefuse’s approach to music-making – this is very much a compositional, as opposed to loop-based, work. He also calls upon the vocal talents of several different female artists, most notably Broadcast’s late Trish Keenan and neo-goth torch singer Zola Jesus, but also Faidherbe, Shara Worden (My Brightest Diamond), Nico Turner and Niki Randa. As its title suggests, this is an album that foregrounds and explores the idea of the feminine, right down to the artwork, which comes courtesy of illustrator Yuko Michishita.

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